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Film and Philosophy

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101.	Film and Philosophy: Volume > 17 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by


102.	Film and Philosophy: Volume > 17 Ian Schnee Ideology, Socratic elenchus, and Inglourious Basterds view \| rights & permissions \| cited by


103.	Film and Philosophy: Volume > 17 Richard Gilmore The Existential Hitchcock view \| rights & permissions \| cited by


104.	Film and Philosophy: Volume > 17 Jay R. Elliott The Meaning of Life and the “Pottersville Test”: A Reply to Aaron Smuts view \| rights & permissions \| cited by


105.	Film and Philosophy: Volume > 17 Aaron Smuts Reply to Elliott: In Defense of the Good Cause Account view \| rights & permissions \| cited by


106.	Film and Philosophy: Volume > 17 Jay R. Elliott The Last Word on Pottersville view \| rights & permissions \| cited by


107.	Film and Philosophy: Volume > 17 Jordan Schummer Imagination and Film view \| rights & permissions \| cited by


108.	Film and Philosophy: Volume > 17 Richard Nunan Gender Tourism in Feature Films: The Case of Transamerica view \| rights & permissions \| cited by


109.	Film and Philosophy: Volume > 17 Sam Shpall The Men of Talk to Her view \| rights & permissions \| cited by


110.	Film and Philosophy: Volume > 17 Shawn Loht Film as Heideggerian Art?: A Reassessment of Heidegger, Film, and His Connection to Terrence Malick view \| rights & permissions \| cited by


111.	Film and Philosophy: Volume > 17 John McAteer The Problem of the Father’s Love in The Tree of Life and The Book of Job view \| rights & permissions \| cited by


112.	Film and Philosophy: Volume > 17 Rick Fox Dialectic Architecture: The Human-Environment Relation in Jacques Tati’s Playtime and Mon Oncle view \| rights & permissions \| cited by


113.	Film and Philosophy: Volume > 17 Nathan Carson Transformation in the Wasteland?: Remembrance, Naming and Charitable Action in The Road view \| rights & permissions \| cited by


114.	Film and Philosophy: Volume > 17 Thorsten Botz-Bornstein “Film Thinks!” What about Dreams?: A Reading of Daniel Frampton’s Filmosophy view \| rights & permissions \| cited by


115.	Film and Philosophy: Volume > 16 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by


116.	Film and Philosophy: Volume > 16 Gwendolyn Dolske More Than a Windshield Wiper: A Beauvoirian Analysis of Project and Other in Flash of Genius view \| rights & permissions \| cited by


117.	Film and Philosophy: Volume > 16 Aaron Smuts It’s a Wonderful Life: Pottersville and the Meaning of Life view \| rights & permissions \| cited by


118.	Film and Philosophy: Volume > 16 Erin Kealey Who Would You Be in a Zombie Apocalypse? view \| rights & permissions \| cited by


119.	Film and Philosophy: Volume > 16 Iddo Landau The Nights of Cabiria as a Camusian Existentialist Text view \| rights & permissions \| cited by


120.	Film and Philosophy: Volume > 16 William J. Devlin, Shai Biderman Sartre’s Existential Analysis of Moral Dilemmas through Gone Baby Gone view \| rights & permissions \| cited by

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