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Glimpse

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101.	Glimpse: Volume > 16 Andreas Max Ströhl Abolishing Politics for the Sake of Politics: Vilém Flusser between Dialectic and Phenomenology view \| rights & permissions \| cited by


102.	Glimpse: Volume > 16 Alberto J. L. Carrillo Canán, Luis R. Vera Chaparro, Matias Kritz Movement and Pictorial Space: The Video “Beauty” view \| rights & permissions \| cited by


103.	Glimpse: Volume > 16 Kurt Cline The Message is the Medium: Houdini and the Unity of Concealment and Disclosure in Heidegger’s Parmenides view \| rights & permissions \| cited by


104.	Glimpse: Volume > 16 Luanne Frank Kleist’s Phenomenological Nightmare: “St. Cecilia or the Power of Music” and its Holy Mary Images view \| rights & permissions \| cited by


105.	Glimpse: Volume > 16 Ilias Giannopoulos Challenging Husserl’s ‘musical’ paradigms: on the problem of perception of extended musical structures as temporal objects view \| rights & permissions \| cited by


106.	Glimpse: Volume > 16 Stacey O. Irwin Frame-Screen-Window: Human-Media Relations view \| rights & permissions \| cited by


107.	Glimpse: Volume > 16 Alessandra Mondin Queering Heterosexuality Through (the) Skin view \| rights & permissions \| cited by


108.	Glimpse: Volume > 16 Obiageli Pauline Ohiagu, Ntiense James Usua Film Portrayal and the Perception of Women in Nigeria view \| rights & permissions \| cited by


109.	Glimpse: Volume > 16 Joris D. Raven Phenomenological Sociology and the Experience of Time view \| rights & permissions \| cited by


110.	Glimpse: Volume > 16 Marc Van Den Bossche Photography and the Mirror of Nature view \| rights & permissions \| cited by


111.	Glimpse: Volume > 16 Yoni Van Den Eede Media Use, Purpose, and Autopoiesis view \| rights & permissions \| cited by


112.	Glimpse: Volume > 15 Luis Acebal Editor's Introduction view \| rights & permissions \| cited by


113.	Glimpse: Volume > 15 Allan Casebier Husserl's Ambitions for a Phenomenology of the Arts view \| rights & permissions \| cited by


114.	Glimpse: Volume > 15 Luis Acebal Romance: The Question of Perception Reconsidered in Hawthorne's "Rappaccini's Daughter" view \| rights & permissions \| cited by


115.	Glimpse: Volume > 15 Melinda Campbell Seeing Color Appearances view \| rights & permissions \| cited by


116.	Glimpse: Volume > 15 Alberto José Luis Carrillo Canán, Victor Gerardo Rivas López, May Zindel Metaphor in Cinema Revisited view \| rights & permissions \| cited by


117.	Glimpse: Volume > 15 Kurt Cline A Phenomenology of 3-D Cinema view \| rights & permissions \| cited by


118.	Glimpse: Volume > 15 Patricia King Dávalos Human Activity and Situation: Freedom and Commitment view \| rights & permissions \| cited by


119.	Glimpse: Volume > 15 Francesca Dell'Orto Mediation and Retention: The Question of Technics as Memory view \| rights & permissions \| cited by


120.	Glimpse: Volume > 15 Luanne Frank Vivifying Philosophy Via Visual Media: Heidegger's Parmenides view \| rights & permissions \| cited by

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