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Film and Philosophy

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41.	Film and Philosophy: Volume > 23 Richard Nunan Emergent Philosophical Content in Ex Machina view \| rights & permissions \| cited by


42.	Film and Philosophy: Volume > 23 Jack Simmons Blade Runners and the 21st Century view \| rights & permissions \| cited by


43.	Film and Philosophy: Volume > 23 James Pearson Could a Heptapod Act?: Language and Agency in Arrival view \| rights & permissions \| cited by


44.	Film and Philosophy: Volume > 23 Leigh E. Rich “Men Against Fire”: Black Mirror, Eugenics, and Othering Outside of War view \| rights & permissions \| cited by


45.	Film and Philosophy: Volume > 23 Laura Di Summa Black Mirror: The Not So Fearful Consequences of Technology view \| rights & permissions \| cited by


46.	Film and Philosophy: Volume > 23 Ian Schnee On Alien and On Film view \| rights & permissions \| cited by


47.	Film and Philosophy: Volume > 23 Dean A. Kowalski The X-Files as Philosophy view \| rights & permissions \| cited by


48.	Film and Philosophy: Volume > 23 Lorraine K. C. Yeung An Aesthetic of Horror Film Music view \| rights & permissions \| cited by


49.	Film and Philosophy: Volume > 23 William Pamerleau Inauthentically Dead: a Heideggerean Analysis of the Undead in Contemporary Film view \| rights & permissions \| cited by


50.	Film and Philosophy: Volume > 22 Daniel Shaw Editor’s Introduction view \| rights & permissions \| cited by


51.	Film and Philosophy: Volume > 22 Dan Flory Reflections on What Movies Do Well view \| rights & permissions \| cited by


52.	Film and Philosophy: Volume > 22 Deborah Knight Film Aesthetics and Appreciation view \| rights & permissions \| cited by


53.	Film and Philosophy: Volume > 22 David Sorfa Belief in Film: A Defense of False Emotion and Brother Sun, Sister Moon view \| rights & permissions \| cited by


54.	Film and Philosophy: Volume > 22 Lawrence Benaquist, Sander Lee Medium Specificity in Holocaust-Related Films: A Dialogue view \| rights & permissions \| cited by


55.	Film and Philosophy: Volume > 22 Thomas Wartenberg Dramatizing Philosophy view \| rights & permissions \| cited by


56.	Film and Philosophy: Volume > 22 Cynthia Freeland The Creation of Mood in The Elephant Man view \| rights & permissions \| cited by


57.	Film and Philosophy: Volume > 22 Daniel Shaw Cavell on Skepticism: Redeeming the Law view \| rights & permissions \| cited by


58.	Film and Philosophy: Volume > 22 Kevin Stoehr Nietzsche and Haneke on Nihilism and Time view \| rights & permissions \| cited by


59.	Film and Philosophy: Volume > 21 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by


60.	Film and Philosophy: Volume > 21 Alessandro Giovannelli The Finale of AI: Artificial Intelligence view \| rights & permissions \| cited by

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