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Film and Philosophy

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61.	Film and Philosophy: Volume > 21 Shai Biderman, Ido Lewit TV’s Fargo and the Philosophy of the Coen Brothers view \| rights & permissions \| cited by


62.	Film and Philosophy: Volume > 21 Jonathan Kwan Philosophy Through Ambiguity: Readings of Blade Runner view \| rights & permissions \| cited by


63.	Film and Philosophy: Volume > 21 Richard Nunan Authorial Intent, Alien, and Thomas Wartenberg’s Alleged Necessary Condition for Films to Do Philosophy view \| rights & permissions \| cited by


64.	Film and Philosophy: Volume > 21 Enrico Terrone Blessed Are the Forgetful: Utilitarianism and Remarriage in Eternal Sunshine of the Spotless Mind view \| rights & permissions \| cited by


65.	Film and Philosophy: Volume > 21 Amresh Sinha The Ideology of Inception view \| rights & permissions \| cited by


66.	Film and Philosophy: Volume > 21 David H. Calhoun Imagined Cosmologies: Nature and the Unveiling of Nature in Malick’s The Tree of Life and Kubrick’s 2001: A Space Odyssey view \| rights & permissions \| cited by


67.	Film and Philosophy: Volume > 21 Iskra Fileva The Duties of an Artist view \| rights & permissions \| cited by


68.	Film and Philosophy: Volume > 21 Joseph Kupfer What Movies Teach Us About Teaching: Excellence and Maleficence in The Classroom view \| rights & permissions \| cited by


69.	Film and Philosophy: Volume > 20 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by


70.	Film and Philosophy: Volume > 20 William Pamerleau The Cost of Greatness: A Nietzschean Analysis of Whiplash view \| rights & permissions \| cited by


71.	Film and Philosophy: Volume > 20 Frank Boardman An Argument (Many) Films Make view \| rights & permissions \| cited by


72.	Film and Philosophy: Volume > 20 James Conlon The Goodness Of The ‘Holy Fool’ In Talk To Her (Hable con ella) view \| rights & permissions \| cited by


73.	Film and Philosophy: Volume > 20 Laura T. Di Summa-Knoop “It is Like It is Always Right Now”: Richard Linklater’s Boyhood and the Fiction-Nonfiction Divide view \| rights & permissions \| cited by


74.	Film and Philosophy: Volume > 20 Joseph Kupfer Care, Autonomy and Art: Frida and Camille Claudel view \| rights & permissions \| cited by


75.	Film and Philosophy: Volume > 20 Jack Simmons, Leigh E. Rich Hannibal and the Horrors of Hyper-Rationality view \| rights & permissions \| cited by


76.	Film and Philosophy: Volume > 20 Roy W. Perrett Waltz with Bashir and the Definition of Documentary view \| rights & permissions \| cited by


77.	Film and Philosophy: Volume > 20 Dan Shaw Animated Thought: Inside Out and Philosophy of the Emotions view \| rights & permissions \| cited by


78.	Film and Philosophy: Volume > 19 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by


79.	Film and Philosophy: Volume > 19 Thomas Wartenberg The Imposition Objection Reconsidered: A Response to Richard Nunan view \| rights & permissions \| cited by


80.	Film and Philosophy: Volume > 19 William Pamerleau Does the Philosophy of Film Disenfranchise the Art of Film? view \| rights & permissions \| cited by

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