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Film and Philosophy

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81.	Film and Philosophy: Volume > 19 Shawn Loht The Relevance of Heidegger’s Conception of Philosophy to the Film-as-Philosophy Debate view \| rights & permissions \| cited by


82.	Film and Philosophy: Volume > 19 Lindsey Fiorelli A New Defense of Cinematic Realism view \| rights & permissions \| cited by


83.	Film and Philosophy: Volume > 19 Dan Flory Imaginative Resistance, Racialized Disgust, and 12 Years A Slave view \| rights & permissions \| cited by


84.	Film and Philosophy: Volume > 19 Sander Lee Blue Jasmine, A Streetcar Named Desire, and the Power of Self-Deception view \| rights & permissions \| cited by


85.	Film and Philosophy: Volume > 19 Laura T. Di Summa-Knoop The Philosophical and Cognitive Achievement of Cult and the Ethical Puzzle of Casablanca view \| rights & permissions \| cited by


86.	Film and Philosophy: Volume > 19 Bert Olivier Battlestar Galactica, Technological Development and Eternal Recurrence view \| rights & permissions \| cited by


87.	Film and Philosophy: Volume > 19 Jeremy Delong Star Trek: Into Darkness—Ethical Impartiality, Partiality, and the Need for a Male/Female Synthesis view \| rights & permissions \| cited by


88.	Film and Philosophy: Volume > 19 Christopher Grau Kantian Themes in The Elephant Man view \| rights & permissions \| cited by


89.	Film and Philosophy: Volume > 19 Matthew Meyer Mystic River and Nietzsche’s Revaluation view \| rights & permissions \| cited by


90.	Film and Philosophy: Volume > 18 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by


91.	Film and Philosophy: Volume > 18 Richard Nunan Film as Philosophy in Memento: Reforming Wartenberg’s Imposition Objection view \| rights & permissions \| cited by


92.	Film and Philosophy: Volume > 18 Emma Bell Grief Time: Feeling Philosophy in Inception view \| rights & permissions \| cited by


93.	Film and Philosophy: Volume > 18 Fabio Bacchini Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella view \| rights & permissions \| cited by


94.	Film and Philosophy: Volume > 18 Alain Beauclair I Have Been And Always Shall Be Your Friend view \| rights & permissions \| cited by


95.	Film and Philosophy: Volume > 18 Sander Lee The Moral Implications of Gettysburg view \| rights & permissions \| cited by


96.	Film and Philosophy: Volume > 18 Daniel Wack How Movies Do Philosophy view \| rights & permissions \| cited by


97.	Film and Philosophy: Volume > 18 C. Paul Sellors What in the World Distinguishes Fiction from Nonficton Film? view \| rights & permissions \| cited by


98.	Film and Philosophy: Volume > 18 Vernon Cisney The Madness of God: The Schizosign in Shutter Island view \| rights & permissions \| cited by


99.	Film and Philosophy: Volume > 18 Joseph Kupfer Wonder Boys: Righting Our Lives by Writing the Story view \| rights & permissions \| cited by


100.	Film and Philosophy: Volume > 18 Shawn Loht Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film: A Reading of The Tree of Life view \| rights & permissions \| cited by

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