History of Communism in Europe

More than twenty years after the collapse of the totalitarian regime in Albania, the archives of the state security apparatus (Sigurimi) have yet to be opened. The horror of the Hoxha regime remains under lock and key. Not one word is lost on the network of political prisons and the state security apparatus in the history schoolbooks; in today’s only history text about Albania written by a university scholar, that addresses some details of the socialist period, this part of the socialist past is also left out.The lack of initiative from the government or any other state organisation to address this situation has led to setting up a number of alternative civil societyorganisations that focus on this issue.One of these is a very important movement in northern Albania, having at its core a disparate but vibrant publishing industry that provides space for the localactors to publish their memories and experiences. Two genres of writing can be identified here: local histories and family histories. Common to both are motifsof local patriotism and personal sacrifice, but the local histories – mainly of specific villages and towns – tend to be apologetic of the regime while the familyhistories tend more often to be those of victims and opponents of the regime. Keywords: local history, family histories, local publishers, Albania.

This paper addresses the organised civil society efforts to bring excombatants into the public sphere in Serbia, and investigates the potential for constructive use of ex-combatants’ war experiences in theatre. By staging the theatre performance Tanatos, the Group “Hajde da...” (the Group) from Belgrade aims to challenge negative views of this category of the Serbian population. So far, ex-combatants have been largely ignored, and as such, their capacities for contributing to transitional justice processes in the Serbian community have been neglected. Not only does the Tanatos bring four ex-combatants onto the stage to share their combat-related experiences with an audience, but it also gives the audience an opportunity to meet the ex-combatants after the performance in an open ‘question and answer’ session. As a qualitative case study, the paper draws from multiple sources: direct observation of the theatre performance in Belgrade in 2011, documentary research and fieldwork in Serbia undertaken during the summer of 2013, analysis of internal documents produced within the Group, and an interview with the dramaturge of the performance. The paper concludes that through Tanatos, the Group has opened public space for a dialogue about the recent past that acknowledges ex-combatants as an important factor in transitional justice processes in the region.

This paper focuses on how thirty-nine former political prisoners in Córdoba, Argentina spoke about their compromiso (political commitment) to a leftist,socialist-leaning political project during the Cold War. After being imprisoned in the 1970s and 1980s and then marginalized after being freed, they began to formally record their stories in the mid-2000s as part of their political activism. In these thirty-nine oral history narratives, collected in 2008 and 2009, women, byand large, spoke about personal experiences in clandestine detention centres, while the men focused on Argentina’s broader history of social and labour movements. This paper theorizes that men interviewed in this study speak about values of solidarity and resistance in broad historic-social terms, while their women counterparts focus on personal experiences; in this regard, men and women both focus on the most salient, and available, site of political commitment for their respective genders. Identifying such a distinction between the stories told by male and female survivors is relevant for the ways in which Argentina’s history is told in memorialized spaces, encouraging curators, historians, and archivists to make use of both personal narratives as well as the broadly historical ones, and is crucial to understanding how acts of resistance and solidarity were gendered, even though social transformation is assumed to be “gender-neutral.”

Sous l’emprise de l’urgence, a la suite de la démission du communisme, des intellectuels autonomistes d’avant 1989 se mobilisent au nom de la morale. Le regroupement d’intellectuels permet de mettre en valeur le capital moral qu’ils cumulent et que certains ont obtenu avant 1989 et le volume du capital symbolique en procédant a une réévaluation du capital culturel acquis sous le communisme pour s’engager au nom des valeurs intellectuelles. L’affirmation collective des intellectuels suppose la construction d’une identité commune qui est en rapport avec l’évaluation du passé. Cet article présente une premiere étape dans le travail de construction d’une identité commune et de légitimation des engagements intellectuels qui consiste dans le recours a la mémoire individuelle au moment meme de la restructuration de l’espace politique et dans la formulation du « proces du communisme » comme proces « moral». Le témoignage est une forme prise par le travail de mémoire qui prend une place importante dans les stratégies discursives de légitimation de la position des intellectuels, des revendications d’un rôle politique par des intellectuels consacrés sous le communisme et des intellectuels autonomistes de la période communiste. Le travail de mémoire qui nous est présenté sous diverses formes s’inscrit et fonde l’objectif principal de ces intellectuels, a savoir faire le « proces du communisme ».

The article analyzes the manner in which Poland’s Baltic “Recovered Territories”, the three provinces of Szczecin, Gdańsk and Olsztyn, were incorporated into a re-constituted Polish state following the Second World War. It shows how the organic formation of a regional identity in the three Baltic provinces faced continuous interference from a regime with little or no understanding of the effects its state-building policies had upon their specific ‘transnational’ social, cultural, and demographic particularities. Despite the internal divisions in what was a fledgling pioneer society, the communist state never allowed for settler and indigenous groups to iron out their differences at their own pace and in their own way. Between 1945 and 1956, Polish settlers and indigenous groups in the Baltic Recovered Territories managed to form only a weak common identity not due to the policies of Poland’s Communist regime but in spite of them.

The article examines the general policies of the Romanian state in the immediate aftermath of the Second World War toward the German and Hungarian minority. The abuses of the human rights of ethnic minorities from 1944 until 1947 were some of the worst in the history of Romania. The massacres and deportations of German and Hungarian civilians remain a black mark on Romanian society. These actions were in keeping with the ideologicalpronouncements of Romanian nationalists from the interwar period. The rhetoric that legitimized these policies of ethnic cleansing continued to inform visions of the Romanian nation throughout the Communist period.

The purpose of this paper is to analyze the effects of communist policies upon ethnic relations within a multinational state. I use the case of Poland in order to identify the general shifts and dynamics in nationalities polices in this country between 1945 and 1989. The study’s main focus is the processes by which Polish society was ethnically homogenized. I subsequently discuss the successive ways of building the Polish nation-state, from one phase of the communist regime to another, and the national mythologisation of historical memory, especially in relation to World War II. The paper also draws attention to a phenomenon, often ignored by scholarly literature, which took place in postwar communist societies within minority ethnic groups. I am referring to the preservation of minorities’ identities in the form of “a hidden ethnicity” in the context of group exclusion from the public sphere and of the disenfranchisement of specific ethnic historical memories within the wider societal narratives.

Les pratiques de l’État définissent et légitiment les divisions de genre et les identités genrées. Le point central de l’article est la nature de la citoyennetédes femmes, en Roumanie, pendant le régime communiste. Pour construire ses sujets genrés, le régime communiste a utilisé a la fois le discours officiel et le cadre législatif. La recherche este construite autour une étude de cas, l’activité salariée, uncarrefour pour toutes les politiques de l’état communiste envers sa population féminine, génératrice de libertés et sources d’inégalité en meme temps. Il serait abusif d’affirmer que toutes les mesures prises par le régime communiste ont été vouées a l’échec. L’acces des femmes a l’éducation et l’entrée dans une activité professionnelle salariée ont été deux préoccupations majeures du régime communiste et la postérité de ces deux domaines mérite a etre soulignée. Car, si la présence politique des femmes apres 1989 a été insignifiante, sur le plan professionnel, les femmes ont maintenu et meme renforcé leurs positions. Le degré de réussite scolaire a tous les niveaux d’études et les revenus obtenus par les femmes en Roumanie montrent que les actions du régime communiste dans ces domaines ont déterminé un changement durable et profond des mentalités et des comportements sociaux. Dans cette postérité disparate et nuancée on peut trouver les arguments d’une interprétation plus nuancée, de ce qu’a été la citoyenneté des femmes pendant le communisme.

The following contribution analyzes the specific spaces for the legitimization of the defense of the “Soviet model” in France. To do so, rather than examining the policies of the Communist Party itself (often analyzed by French historiography), the paper approaches a vast set of organizational networks that have been commonly known as “transmission belts” of communism in France. Thus, the paper presents a universe of situations, individual trajectories, and associative frameworks that are deployed in defense of the Soviet Union, from 1945 until 1954. In all these different areas and situations the paper points out instances of an intense militancy. As a result, there was a non-contradictory overlap between French patriotism, nationalism and the justification of Soviet hegemony in the context of the communization of Eastern Europe and of the Cold War.

The communist regime in Albania considered literature to be one of the main ideological vehicles for the formation of the “New Albanian Man”. To this aim, a great part of literature in post-war Albania spoke of how not only did the Albanian people preserve their national identity throughout history, but also of how they fought on the side of European civilization and progress. In this process, a series of barbarian Others were constructed, because if national resistance and communism were to be linked together in a progressive tradition, then the Turks, counter-revolutionary social classes, capitalism and even “revisionist”betrayers of Marxism-Leninism represented the regressive tradition. By taking as a case study the literary works of Ismail Kadare, this paper argues thatKadare, in his depiction of the Turks as the Oriental other of the Albanian nation, employed the clichés and stereotypes borrowed from the European Orientalisttradition, in which the Turks largely are presented as the barbaric mirror to Europe. Later on, the danger coming from the “social-revisionism” of the Russianand Chinese communist states were portrayed in Kadare’s novels as the continuation of the “Asiatic threat”. The intended effect of Orientalism in Albanianliterature was to emphasize the modernity of Albanian socialist society and to culturally justify the lonely road of Albanian communism.

L’objet d’analyse de cette étude est la production des films traitant l’antiquité et réalisés en Roumanie pendant le régime communiste. Il s’agit plus précisément de trois films : Les Daces (1965, Sergiu Nicolaescu), La Colonne (1968, Mircea Drăgan) et Burebista (1980, Gheorghe Vitanidis). Leur production témoigne des conditions politiques, idéologiques et économiques qui ont marqué le processus de reconstitution historique. Cet article tente de retracer le cheminement décisionnel dans la production de ces films, les objectifs des cinéastes et des autres professionnels du cinéma, le rôle du pouvoir politique dans leur évolution de 1960 jusqu’en 1970.

The aim of this paper is to explore the relationships and interactions between socialist ideology and national narratives in Tito’s Yugoslavia, focusing on the peculiar case of Belgrade. Taking into account the representative role of the capital city, narratives of identity are analysed from the point of view of the ideology involved and displayed in the celebration of the post-war city’s holiday: the 20th of October, anniversary of Belgrade’s liberation during the Second World War. Using both archival material and reports published in different newspapers as primary sources, the research studies these celebrative practices as an extremely concentrated expression of the state’s ideology but also as occasions of tension and negotiation between different representative meanings: from the attempt of Sovietization of the country – reinforced also by the role of the Red Army in the liberation of the city – to the strengthening of the Yugoslav socialist patriotism after the split between Tito and Stalin and the permanence of Serbian and local identity’s narratives.