Two recently translated monographs by J.-M. Floch provide English-language scholars with a substantial sample of this original and prolific visual semiotician’s work. The articles making up the two volumes present and illustrate the methods and concepts that Floch developed: “figurative semiotics”, “plastic semiotics”, and “visual identities”. Privileging the close description of particular images, Jean-Marie Floch’s work systematically brings to bear a complex and explicit semiotic theory to the exploration of visual images. The books raise crucial questions for research in the visual arts, in marketing, in perception and cognition, and in intercultural communication. This essay describes the main procedures Floch proposes for analyzing visual images, examines his concept of a visual identity, and evaluates the two English editions and translations.

Thomas A. Sebeok (†2001) considered Charles Peirce as “our lodestar” in the contemporary semiotic development, and what he called “the Dominican tradition” (the Thomistic works of Aquinas, Poinsot, and Maritain in particular) as ‘a vein of pure gold’ yet to be mined in the contemporary semiotic development. By contrast, many contemporary authors look to what is called “Analytic philosophy” (as if there were such a thing as “non-analytic philosophy”) for their interpretation both of Peirce and of Sebeok’s “Dominican tradition”. Tzvetan Todorov, however, has pointed out that semiotics as the doctrine of signs in fact compromises the very foundation upon which the ‘founding fathers’ of “Analytic philosophy” relied in their linguistic reduction of philosophical analysis. Using the works of two contemporary authors, one from the Peircean side (Thomas Short) and one claiming to represent Thomistic thought (John O’Callaghan), this review essay explores the distortive consequences for semiotics that result from adopting the standpoint of Analytic philosophy when treating matters of semiosis. Hence the sub-title “Semiotics or Semantics: What Difference Does It Make [for the doctrine of signs]?”

To mark the 200th anniversary of the birth of Søren Kierkegaard, I review in this essay the relationship between Kierkegaard and the Catholic tradition. First, I look back to consider both Kierkegaard’s encounter with Catholicism and the influence of his work upon Catholics. Second, I look around to consider some of the recent work on Kierkegaard and Catholicism, especially Jack Mulder’s recent book, Kierkegaard and the Catholic Tradition, and the many articles that examine Kierkegaard’s relation to Catholicism in the multi-volume Kierkegaard Research series edited by Jon Stewart. Finally, I look ahead to consider possible directions in which the conversation between Catholics and Kierkegaardians might continue.