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101. Semiotics: 2001
Susan Berry Brill de Ramirez The Marginal Centrality of the Trickster Voice: Shifting Ethnographic Significations in Son of Old Man Hat: A Navaho Autobiography
102. Semiotics: 2001
Olivia Stewart Nomina Nuda Tenemus: The Semiotic Function of Adso of Melk in Eco’s The Name of the Rose
103. Semiotics: 2001
Sr. Anne Francis Le Orthodoxy and The Cloud of Unknowing
104. Semiotics: 2001
Júnia de Castro Magalhães Alves A Brief Semiotic Study of the Descriptive Act in José Saramago’s A caverna (The cave): Cipriano Algor, the Blackberry Tree and the Dog Achado
105. Semiotics: 2001
Heidi Bostic Gender and the Subject of Narrative Semiotics
106. Semiotics: 2001
Christina Ljungberg City Maps: The Cartosemiotic Connection
107. Semiotics: 2001
William Pencak Gay-Coded X-Men
108. Semiotics: 2001
Nina Corazzo Helen Frankenthaler’s Madame Butterfly
109. Semiotics: 2001
Charls Pearson Summary of Advantages of Recently Sugggested Changes to the Universal Sign Structure Theory
110. Semiotics: 2001
Ted Baenziger Semiotics, Theatre, and Liturgy
111. Semiotics: 2001
Cristina Farronato Modern Disharmonies: The Paradigmatic Function of Landscape and Urban Architecture in Antonioni’s Professione: Reporter
112. Semiotics: 2001
Sean Day One’s Own Brain as Trickster - Part II: It’s For Your Own Good
113. Semiotics: 2001
Vivian Darroch-Lozowski Wandering and Speaking the City
114. Semiotics: 2001
Sanna Iitti Ritual Chant, Preservation and Change: Aspects of Tibetan Culture in Exile
115. Semiotics: 2001
J. Raymond Zimmer Semiotic Diagrams of Pascal Boyer’s The Naturalness of Religious Ideas
116. Semiotics: 2001
Frank Nuessel Translation: A Semiotic Perspective
117. Semiotics: 2001
Ann Kibbey C. S. Pierce and D. W. Griffith: Parallel Action, Prejudice, and Indexical Meaning
118. Semiotics: 2001
Vincent Colapietro Walking About A City: Urban Movement as Performative Utterance
119. Semiotics: 2001
Rebecca Dalvesco Meaning and Power: Air-conditioned Dome New York City
120. Semiotics: 2001
Lauren Larson The Anomalous Ascent: Contemplation as a New Semiotic