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Film and Philosophy

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Displaying: 121-140 of 360 documents

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121.	Film and Philosophy: Volume > 17 John McAteer The Problem of the Father’s Love in The Tree of Life and The Book of Job view \| rights & permissions \| cited by	SHARE


122.	Film and Philosophy: Volume > 17 Rick Fox Dialectic Architecture: The Human-Environment Relation in Jacques Tati’s Playtime and Mon Oncle view \| rights & permissions \| cited by	SHARE


123.	Film and Philosophy: Volume > 17 Nathan Carson Transformation in the Wasteland?: Remembrance, Naming and Charitable Action in The Road view \| rights & permissions \| cited by	SHARE


124.	Film and Philosophy: Volume > 17 Thorsten Botz-Bornstein “Film Thinks!” What about Dreams?: A Reading of Daniel Frampton’s Filmosophy view \| rights & permissions \| cited by	SHARE


125.	Film and Philosophy: Volume > 16 Dan Shaw Editor’s Introduction view \| rights & permissions \| cited by	SHARE


126.	Film and Philosophy: Volume > 16 Gwendolyn Dolske More Than a Windshield Wiper: A Beauvoirian Analysis of Project and Other in Flash of Genius view \| rights & permissions \| cited by	SHARE


127.	Film and Philosophy: Volume > 16 Aaron Smuts It’s a Wonderful Life: Pottersville and the Meaning of Life view \| rights & permissions \| cited by	SHARE


128.	Film and Philosophy: Volume > 16 Erin Kealey Who Would You Be in a Zombie Apocalypse? view \| rights & permissions \| cited by	SHARE


129.	Film and Philosophy: Volume > 16 Iddo Landau The Nights of Cabiria as a Camusian Existentialist Text view \| rights & permissions \| cited by	SHARE


130.	Film and Philosophy: Volume > 16 William J. Devlin, Shai Biderman Sartre’s Existential Analysis of Moral Dilemmas through Gone Baby Gone view \| rights & permissions \| cited by	SHARE


131.	Film and Philosophy: Volume > 16 Mario Slugan Epistemology as Ethics: Skepticism in Blade Runner view \| rights & permissions \| cited by	SHARE


132.	Film and Philosophy: Volume > 16 John Marmysz Rooting for the Fascists in James Cameron’s Avatar view \| rights & permissions \| cited by	SHARE


133.	Film and Philosophy: Volume > 16 Charles W. Mills Blacker Than Noir view \| rights & permissions \| cited by	SHARE


134.	Film and Philosophy: Volume > 16 Murray Smith In and Out of Character view \| rights & permissions \| cited by	SHARE


135.	Film and Philosophy: Volume > 16 Tommy L. Lott Film Noir, Realism, and the Ghettocentric Film view \| rights & permissions \| cited by	SHARE


136.	Film and Philosophy: Volume > 16 Dan Flory Response to My Critics view \| rights & permissions \| cited by	SHARE


137.	Film and Philosophy: Volume > 15 Dan Shaw Editor's Introduction view \| rights & permissions \| cited by	SHARE


138.	Film and Philosophy: Volume > 15 Kevin W. Sweeney Sideways: Does Good Taste Improve Moral Character? view \| rights & permissions \| cited by	SHARE


139.	Film and Philosophy: Volume > 15 Thomas Blakemore Objects With a Soul: The Spiritualization of Sound in the Films of Robert Bresson view \| rights & permissions \| cited by	SHARE


140.	Film and Philosophy: Volume > 15 Wililam Hawk I, Robot view \| rights & permissions \| cited by	SHARE

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