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Film and Philosophy

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161.	Film and Philosophy: Volume > 14 Richard Nunan Filmosophy and the Art of Philosophical Analysis of Films view \| rights & permissions \| cited by	SHARE


162.	Film and Philosophy: Volume > 13 Daniel Shaw Editor's Introduction view \| rights & permissions \| cited by	SHARE


163.	Film and Philosophy: Volume > 13 Heather Battaly, Amy Coplan Is Dr. House Virtuous?: Using House to Teach the Moral and Intellectual Virtues view \| rights & permissions \| cited by	SHARE


164.	Film and Philosophy: Volume > 13 Thomas E. Wartenberg Teaching Philosophy Through Film Aristotle's Theory of Friendship and The Third Man view \| rights & permissions \| cited by	SHARE


165.	Film and Philosophy: Volume > 13 David LaRocca The Limits of Instruction view \| rights & permissions \| cited by	SHARE


166.	Film and Philosophy: Volume > 13 George Connell Transposing Transgression: Teaching Kierkegaard's Fear and Trembling through Danish Film view \| rights & permissions \| cited by	SHARE


167.	Film and Philosophy: Volume > 13 Peter Murphy Using Gattaca to Teach Genetic Discrimination view \| rights & permissions \| cited by	SHARE


168.	Film and Philosophy: Volume > 13 Mark Huston The Conversation, Film, and Philosophy view \| rights & permissions \| cited by	SHARE


169.	Film and Philosophy: Volume > 13 William Pamerleau Film as a Non-Philosophical Resource for Philosophy Instruction abstract \| view \| rights & permissions \| cited by In this essay I argue that (by and large) film does not do philosophy, but that it nevertheless provides insights that are important to both professional philosophers and their students. Since those insights are at least partially due to the filmic qualities of the medium, using films can significantly contribute to our philosophizing, both in the classroom and in research. In fact, it is precisely because films differ from philosophic treatises that they can help us to explore some issues more effectively than simply byusing traditional texts.	SHARE


170.	Film and Philosophy: Volume > 13 Jessica Gosnell Now Showing: Pedagogy and Philosophy at the Movies view \| rights & permissions \| cited by	SHARE


171.	Film and Philosophy: Volume > 13 Sondra Bacharach Resuscitating the Subversive in Unlikely Couples view \| rights & permissions \| cited by	SHARE


172.	Film and Philosophy: Volume > 13 Noël Carroll Monsters and the Moving Image: Replies to Laetz and Yanal view \| rights & permissions \| cited by	SHARE


173.	Film and Philosophy: Volume > 13 Aaron Smuts Wings of Desire: Reflections on the Tedium of Immortality view \| rights & permissions \| cited by	SHARE


174.	Film and Philosophy: Volume > 13 Dan Shaw Teaching Philosophy Through Film: Signs and the Problem of Evil view \| rights & permissions \| cited by	SHARE


175.	Film and Philosophy: Volume > 12 Daniel Shaw Editor's Introduction view \| rights & permissions \| cited by	SHARE


176.	Film and Philosophy: Volume > 12 Bruce Russell Film's Limits: The Sequel view \| rights & permissions \| cited by	SHARE


177.	Film and Philosophy: Volume > 12 Noël Carroll Philosophy in the Moving Image: Response to Bruce Russell view \| rights & permissions \| cited by	SHARE


178.	Film and Philosophy: Volume > 12 Thomas E. Wartenberg What Else Films Can Do: A Response to Bruce Russell view \| rights & permissions \| cited by	SHARE


179.	Film and Philosophy: Volume > 12 Bruce Russell Replies to Carroll and Wartenberg view \| rights & permissions \| cited by	SHARE


180.	Film and Philosophy: Volume > 12 J. Heath Atchley Smoke and the Practice of Philosophy view \| rights & permissions \| cited by	SHARE

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