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Film and Philosophy

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181.	Film and Philosophy: Volume > 12 Ben Convey Hostel: A Nightmare of the Hyperreal view \| rights & permissions \| cited by	SHARE


182.	Film and Philosophy: Volume > 12 Brian Laetz Two Problematic Theses in Carroll's Account of Horror view \| rights & permissions \| cited by	SHARE


183.	Film and Philosophy: Volume > 12 William Grundy Cinema as Sacrifice: Borat and the Culture Industry view \| rights & permissions \| cited by	SHARE


184.	Film and Philosophy: Volume > 12 Sean McAleer Self-Knowledge, Self-Deception, and Retaliation: Lessons from The Limey and The Godfather view \| rights & permissions \| cited by	SHARE


185.	Film and Philosophy: Volume > 12 Ramsey Eric Ramsey, Diane Gruber Do You Have a Light?: The Failures and Special Effects of Godard's Alphaville view \| rights & permissions \| cited by	SHARE


186.	Film and Philosophy: Volume > 12 Kayley Vernallis Tedium, Aesthetic Form, and Moral Insight in Silverlake Life view \| rights & permissions \| cited by	SHARE


187.	Film and Philosophy: Volume > 12 Robert Yanal Defining the Moving Image: A Response to Noël Carroll view \| rights & permissions \| cited by	SHARE


188.	Film and Philosophy: Volume > 11 Dan Shaw Editor's Introduction view \| rights & permissions \| cited by	SHARE


189.	Film and Philosophy: Volume > 11 Joseph Kupfer Bang the Drum Slowly: Mortality and Morality on a Baseball Team view \| rights & permissions \| cited by	SHARE


190.	Film and Philosophy: Volume > 11 Thorstein Botz-Bornstein Tarkovsky and Benjamin: Image, Allegory, and Einfühlung view \| rights & permissions \| cited by	SHARE


191.	Film and Philosophy: Volume > 11 Henry Bacon How Films Behave and Narrate view \| rights & permissions \| cited by	SHARE


192.	Film and Philosophy: Volume > 11 Aaron Smuts The Joke is the Thing: In The Company of Men and the Ethics of Humor view \| rights & permissions \| cited by	SHARE


193.	Film and Philosophy: Volume > 11 Dan Flory Race, Empathy, and Noir In Deep Cover view \| rights & permissions \| cited by	SHARE


194.	Film and Philosophy: Volume > 11 William Pamerleau Narrative Identity and Film Realism view \| rights & permissions \| cited by	SHARE


195.	Film and Philosophy: Volume > 11 Chris Venner Exploring the Nature of Evil in David Mamet's Homicide: A Lacanian Interpretation view \| rights & permissions \| cited by	SHARE


196.	Film and Philosophy: Volume > 11 Avery Plaw Film as Ethical Argument: Evaluating Munich's Case Against Targeted Killing view \| rights & permissions \| cited by	SHARE


197.	Film and Philosophy: Volume > 11 Richard Nunan Brokeback Mountain and The Children's Hour: A Postscript to Vito Russo's Challenge view \| rights & permissions \| cited by	SHARE


198.	Film and Philosophy: Volume > 11 Jeanette Bicknell Orientalism as Aesthetic Failure: The Sheltering Sky view \| rights & permissions \| cited by	SHARE


199.	Film and Philosophy: Volume > 11 Carole Lyn Piechota Once More and Innumerable Times More: Nietzsche's Eternal Return in Eternal Sunshine of the Spotless Mind view \| rights & permissions \| cited by	SHARE


200.	Film and Philosophy: Volume > 10 Dan Flory Editor's Introduction view \| rights & permissions \| cited by	SHARE

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