Social Imaginaries

In this paper, I go back to French philosopher Maurice Merleau-Ponty’s influence on Claude Lefort’s theory of democracy in order to offer a revised understanding of political regimes as coexisting and competing horizons of politics. These horizons develop from differing positions regarding the political enigma of the institution of society—its staging, its shaping, and its making sense of itself. A theological understanding of such political institution of society will be described as fundamentally voluntaristic, while an epistemic understanding will be described as, in its radical iteration, potentially totalitarian. This theorization is triggered by an interpretive perplexity: what happened to the United States in the aftermath of 9/11, in its War on Terror, in its committing of the supreme international crime of aggressive warfare, in its embracement of a massive policy of executive, global targeted assassinations and of a white nationalist, xenophobic politics? Is the theologico-political horizon becoming once again dominant in America? Is the epistemic, plutocratic regime taking over instead? Are they coordinated in their effort to undermine an egalitarian understanding of the American republic? These are the interrogative driving forces behind this investigation.

This paper explores how the unfulfilled promises of modernity, both of security and prosperity, affect the Latin American religious imaginary. I study the idea of a ‘religious social imaginary’ not only as a theoretical construct, but also as an interpretative tool to analyze empirical data. This imaginary is composed of an image of the divine in relationship with humanity, a set of cultural practices that shape these interactions, and the expression of a moral order that mirrors this construction of divinity. I use a nonrandom sample of 12 in-depth, semi-structured life history and object elicitation interviews with poor Latin Americans from Córdoba, Argentina, Montevideo, Uruguay, and Lima, Peru. Latin Americans of low income and limited educational backgrounds are the best informants for this study because they are, paradoxically, both the people modernity left behind as well as the popular image of a threat to modernity’s benefits for the rest of the population. I find that the participants construct an image of an accessible, intimate divinity that provides both companionship and protection, which manifests in other people as well as objects, and requires believers to embody these same caring characteristics. I propose that the construction of this contemporary Latin American religious imaginary is not only a response to the unique experience of modernity in the region, but also a tool of resistance against the hegemony inherent in modernity.

In reply to the contributions to Social Imaginaries vol. 4, no. 1, this article reviews the development of the research programme that the author has been pursuing over more than three decades. It places the emphasis on the conceptual and methodological requirements for a historical sociology of social change. It insists, on the one hand, on the need to avoid overly strong conceptual presuppositions to analyze social phenomena of large scale and long duration, while, on the other hand, sustaining the notion that a minimum of social and political philosophy as well as philosophy of history is necessary to comprehend the ways in which history is directed. Further emphasis is given to the difficulties that arise when studying social phenomena before 1800 and outside Europe, due to the strong epistemic impact European global domination has had since the “great divergence” at around 1800. The article concludes with reflections on the adequate kind of conceptual distinctions that are needed when analyzing large-scale phenomena such as “societies” as well as on the link between scholarly work and a critical, action-oriented diagnosis of the present time.

This article investigates the constitutive ties of modernity and the modern subject to the phenomenon of boredom, through its interpretation by Walter Benjamin. The nineteenth century—with Paris as its capital—forms the material for this interpretation, and the fragmentary constellations of quotation and reflection in Convolute D of The Arcades Project present boredom both in its social aspect (the city as protagonist) and as experience. A number of the forms of boredom is thus elaborated: the relation of city dweller to nature and the cosmos, as weather; in its temporal orientation, as waiting; the mechanistic character of the modern world and its subject, as repetition; in the cycles of production and consumption, as the ideological boredom of the ruling class. Among three of Benjamin’s typologies for the bored modern subject—the gambler, the flaneur, and the one who waits—I turn particularly to the experience of the flaneur, the dedicatee of Convolute D. In flaneurie the experience of boredom is accumulated and distributed, and in this way the flaneur is in the city but also constitutes and memorializes it, as boredom. This ambivalent relation to the urban fabric and landscape is also captured in his characteristic observation and exhibition, his consumption without acquisition and without production. After considering some possible antitheses to Benjamin’s types of boredom, I conclude with the reflection that passing over boredom to its opposite would require the overcoming of modern subjectivity itself.

This article aims to bridge the literature of modern social imaginaries with the growing study of modernity in International Relations. Employing a Taylorian conceptual framework and account, the case is made for understanding modern international relations as enabled and constrained by a “modern international imaginary”, which forms a significant part of the modern social imaginary more generally. It is argued that a modern social imaginaries approach offers a means to deepen and enlarge the growing studies of the international implications of modernity, by illuminating overlooked cultural preconditions and forms of modern international relations. First, a social imaginaries approach reveals the international to be coeval with the emergence of modern social imaginaries in general, and that it has come to form their “highest” and most consistently and severely problematic realm. Second, its insight into the enabling and constraining effects of social imaginaries offers a basis for studying the horizons of the international towards a “global imaginary”. Third, unpacking the modern international imaginary offers qualitative benefits for international theory as practice.

This article aims to offer an interpretation of the work of Peter Wagner based on a genealogical reconstruction of his intellectual trajectory. It aims at opening routes for future mappings of his impressive work. Firstly, it addresses the main elements of his theory of modernity, which reached its definitive form during the work he carried out in the research programme Trajectories of modernity initiated in 2010. Secondly, an interpretation of his recent shift of focus from modernity to world-sociology is proposed. At the beginning of the 21st century, social theory faces the same kind of problems that at the beginning of 19th led to a particular way of investigating the social realm through the invention of the concept of ‘society’. The main difference between both situations is the extraordinary increase in the degrees of global interdependence, which situates the concept of ‘world’ in the same methodological position that the concept of ‘society’ had in the 19th century, once the contours that justified the methodological use of this concept were completely transformed by the events of the 20th century. Finally, how to interpret his more recent work on the notion of progress against the background of this shift of focus from modernity to world-sociology will be discussed. The task of reconstructing an idea of progress suitable for our times is analogous to his work on providing an interpretation why the ‘world’ has become the main structuring dimension of our social life.

Reading A Sociology of Modernity made me turn again towards history and encounter the path of a historical sociology. One can say that Peter Wagner´s work opens up particularly rich perspectives towards a new consideration of the complex relations between sociology and history and on the consequences that the internal movements within each discipline have had on the other. I shall approach some issues regarding these relations by looking, first, at the theme of temporality and at the distinction between the past and a present (often turned towards the horizon of the future) and, second, at the theme of the events and their frequent contradistinction to structures.

In his recent work Peter Wagner has dealt with understandings of modernity in different world regions. He has expanded the analysis of modern transformations in Europe to parts of the Southern world. This turn in his work has been a response to challenges about the development of Western modernity, including his own earlier arguments. This article explores some features of Wagner’s recent research on the Brazilian, European and South African trajectories of modernity and his proposal for a world-sociology. The aspects of his work that I am especially interested in are: i) the establishment of the Atlantic connection for the ‘enablement’ of the modern transformation in the nineteenth century; ii) the question about the spaces where experiences happen and the interpretation of temporal transformations and historical continuities. As a sociologist who takes a classical approach to the analysis of historical transformations, Wagner has developed a conception of trajectories of modernity using the notion of societal self-understanding to challenge both conceptually and empirically the presuppositions of communality and continuity assumed as guiding ideas to account for difference in the modern world. I explore in this article the advantages of Wagner’s unorthodox sociological perspective that is to propose both a general understanding of autonomy as key features to comprehend historical transformation and to show how reflexivity opens up a variety of ways of being in the world.

Contemporary socio-political praxis has an ambivalent relationship with scholarly pursuits in social sciences. On the one hand, there has been a considerable increase of (institutional) pressure upon scientists to produce models and recommendations over the second half of the 20th century. On the other, transformations of the world have proved resilient to modelling as well as to grand theoretical narratives, to the point which rendered them conceptually unintelligible and normatively overwhelming to social sciences. This has had various consequences in different spheres. For those involved in direct transformative action across the world, it often spells lack of interpretative tools, measuring instruments and normative orientation beyond the framework of their immediate experiences and action. The paper will seek to uncover how historical-interpretative engagement with the present, which Peter Wagner undertakes in his book on progress (2016), coincides with an experience and interpretation of ‘street politics’ from one corner of the world at a moment of the present. By mapping this coincidence, voyaging most arbitrarily through academic and non-adacemic writings as well as the accounts of contemporary practice of various new movements in post-2008 world, I will try to demonstrate how Wagner’s work at conceptual reconstruction and historical sociology of the present can help understand and situate immediate and localized human efforts towards the reconstitution of the world. It is a testimony to the possibilities of developing anew a vibrant relationship between contemporary academia and praxis far beyond the vulgar automatic translation of conceptual narratives into daily policies or ideological programmes.

This essay is a contribution to the field of institutional studies in that it treats the State as a substantial phenomenon, composed of institutions that require analysis in their own right. Here, the focus is on the political form of African states from the 1960s to the 1980s. On the one hand, I will follow Bourdieu here in insisting that the study of government demands that we know something of the history of political thought (la pensée politique). This simple observation is seldomly applied when it comes to politics in postcolonial Africa. On the other, I use Peter Wagner´s concept of modernity to show that struggles against colonialism and Imperialism and the pursuit of self-determination for African and Asian peoples are unambiguously struggles against domination and for autonomy. The emergence of Third World nationalism (and the Non-Aligned Movement) is an event, therefore, firmly in modernity. So too is the phenomenon of the One-party state in Africa.

A key concept in Peter Wagner’s academic production is modernity, and the thought that modernity is experience and interpretation is central. Not the historical and social facts as such but the interpretation of them is the motor of modernity. The way Wagner understands history as interpretation and struggle for superiority of interpretation brings him close to the historical philosophy of Reinhart Koselleck, which is based on two fundamental conceptual couples: experiences and expectations, and critique and crisis. If interpretation constitutes the mode to approach modernity, the question remains of what the phenomenon we are approaching really is. What is modernity? Wagner’s answer is that the imaginary of being autonomous is the core of modernity. From this point of departure, the chapter discusses the distinction between individual and collective autonomy, highlighted by what since the 1830s has been referred to as the social question, under connection to the concepts of freedom and progress. The conclusion links up with Wagner’s recent emphasis on the dynamics between protest against and defence of domination.

It seems evident that ‘progress’ is a necessary and unavoidable perspective for all those of us today who aim at revitalizing emancipatory action. How could it be possible to start to thinking about the first steps to take in enhancing our present situation without a rough idea of the direction those steps are supposed to follow; since all emancipation is meant to bring about some kind of improvement of the existing living-conditions or an increase in human freedom, it seems justified to say that at least a vague anticipation of what such ‘improvement’ or ‘increase’ would consist in is an inevitable requirement for engaging in such practices. Against this background, the article will discuss Peter Wagner’s notion of progress.

The paper discusses some aspects of Peter Wagner’s argument in Progress: A Reconstruction, and relates them to the work of other authors, especially Hans Blumenberg and Marcel Gauchet. Blumenberg’s view on the Christian background to modern ideas of progress, as consisting in inherited questions rather than persisting beliefs in new guise, is accepted; it serves to contextualize the diverse and changing understandings of progress. They develop in interaction with the legacy of traditions, the unexpected and challenging results of growing knowledge, and the dynamics unfolding in different spheres of social life. The political sphere, where progress can be reinterpreted in terms of revolution and become a theme of political religions, is a particularly significant context. In that regard, the question of Communism and the need to examine its trajectory more closely is raised. This historical experience has a general bearing on the problematic of progress; it also concerns the particular turn taken after World War II, with the rise of Communist China, which had major implications for perspectives on progress. On a more general level, the issue of totalitarian regimes and their complicated links to the democratic imaginary should be included in a comprehensive discussion of progress and its paradoxes. Here Marcel Gauchet’s conception of democracy as a mixed regime proves to be helpful. The final conclusion is that present conditions suggest a more pessimistic view of progress than the one proposed by Wagner.

This paper draws on fieldwork in Indonesia and uses its findings to clarify questions about the differentiation of trends in contemporary Islam. Modernist and reformist currents are commonly distinguished from the Islamist revival that finds expression in political and sometimes violent activism; but a closer look at the field suggests a more diversified picture. A current of inner-oriented piety, akin to the Sufi tradition but also responsive to modern conditions and challenges, is documented through interviews with Javanese spiritual leaders. The methodological issues raised by this approach are not unrelated to those accompanying the ‘ontological turn’ in anthropology; in this case, they have to do with an esoteric Islam oriented towards the sacred and the secular worlds at the same time, critical of the legalism too often identified with Islam, and open to dialogue with other religions. On the historical level, the roots of this religious orientation should be sought in the mystical traditions that grew out of Islam’s encounter with Hinduism and Buddhism in the Indonesian archipelago.

Definitions and theories of religion have been developed and discarded in an ongoing debate, which has been fuelled as much by post-colonial critique, theories of modernity, and postmodernist positions, as by new foci on old and new media. By starting from the challenges to adequately describe historical phenomena that could be fruitfully compared to religious action in other geographical and chronological settings, methodological options are developed and theorised with regard to an adequate, that is, fruitful model and theory of religion. More concretely, it is proposed to analyse ancient Roman religion as ‘lived ancient religion’ and to conceptualise this religion as religious agency, communication, and collective identity. The basis for this analysis is a recollection of the critique raised against an approach that had reduced ancient religion to ideological and ritual systems bolstering political and (in the context of Greek and Roman cities) ‘civic’ identities. Instead, I argue that the ancient evidence demands an approach that focusses on individual actors and their situational and strategic uses of religious communication. ‘Traditions’ are shaped and modified in such acts of ‘appropriation’.

This paper discusses the Indian religious current known as bhakti, a cluster of movements and ideas with a long history traced back at least to the Bhagavad Gita, and confronts this case with problems debated in Western cultural hermeneutics. Bhakti is commonly seen as a devotional type of religiosity, opening up new dimensions of religious experience and inventing unconventional, even antinomian forms of expression; more recently, it has also been studied as a vehicle of religious individualization. The hermeneutical questions posed by this historical phenomenon have to do with both sides of the constellation known to social theorists as the double hermeneutic of social life, i.e. the meanings involved in and developed through the initiatives and exchanges of social actors, as well as the interpretive frameworks applied in scholarly analyses. The idea of social imaginaries constitutes a link between these two aspects. On both levels, the case of bhakti raises specific and central problems. It represents a particular pattern of orthodoxy and dissent, unfolding in contact and contest, and very different from the Western-based models of such configurations. For further hermeneutical reflection on this field, Paul Ricoeur’s philosophy—with its emphasis on translation and “oneself as another”—seems better equipped than Gadamer’s work, which in the last instance subordinates understanding of the other to self-understanding.