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Displaying: 201-220 of 1585 documents


on dialogue

201. Dialogue and Universalism: Volume > 29 > Issue: 3
Martha C. Beck

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In response to the rise of conservative women, the author engaged in a long and meaningful Socratic dialogue with two self-identified conservative women. The paper describes the conversation (approved by participants), then analyzes it according to various political trends, Jungian and other psychological theories, the author’s dialectical teaching methodology, the value of a traditional liberal arts education and the failure of the intellectual elite in the past 50 years to create and sustain meaningful friendships with fellow citizens from all social sectors and educational levels. Athenian democracy also degenerated into authoritarianism because of the professional elite’s corruption and/or detachment.

new trends in art

202. Dialogue and Universalism: Volume > 29 > Issue: 3
Paula Sibilia

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The metaphor of machine has been very fertile throughout modernity: it served not only to think but also to design strategies for intervening objects as diverse as cities and the solar system, going through such basic institutions as the school or the factory. The human body also was caught in this movement that insists on identifying all life with some sort of mechanism. Even though that gesture has remained current since the beginning of industrialism, it has suffered significant alterations, especially in recent decades. We will attempt to unravel some senses of the historical transformations that are reconfiguring the fusion of life and machines, in synch with the rapid advances of digital technology.
203. Dialogue and Universalism: Volume > 29 > Issue: 3
Kathia Hanza

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This article examines the antecedents and background of the antithesis between art and beauty. It also considers if this confrontation, typical in modern aesthetics, provides necessary conceptual categories to comprehend the situation of art in the communication era, characteristic of a generalised aesthetisation. Departing from the ideas posed by Yves Michaud, Mateu Cabot, Didi-Huberman and Mario Perniola, the author dismantles the false opposition between art and beauty; she proposes a strategy to avoid an antithetical position and exhorts the readers to recover a different experience from beauty.

faces of the world today

204. Dialogue and Universalism: Volume > 29 > Issue: 3
Marie Pauline Eboh

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Crisis means “decisive moment,” a dangerous time when action must be taken to avoid a complete disaster. In the digital age, the influx of information is extremely rapid. Many people lack the wisdom and prudence to process data correctly and to take timely moral decisions. Too much information is driving people crazy as increase in knowledge goes with an upsurge in crime rate, particularly cybercrime. This historic period is an era of multiple crises, especially crisis of human values, particularly moral ones. What is so special about the crisis of this age? Why does increase in knowledge not correspond to a rise in civility and economic power for all? Is knowledge no longer empowering? Can humans co-exist in tranquility without moral values? This paper will critically reflect on the concerns raised, the challenges and prospects of the digital age, ask seminal questions and proffer invaluable solutions. And also assert the functional role of philosophy, which is needed in order to stem the moral and social crises of the information age.
205. Dialogue and Universalism: Volume > 29 > Issue: 3
Ọmọ́táyọ̀ Ayọ̀dèjì Ọládèbóa

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This paper engages in the debate between cultural modernists and cultural traditionalists concerning the importance of cultural fidelity as faced by African people via globalization and its alleged homogenizing tendency. Central to this debate is the issue of cultural truths and its use, that is, development. The paper therefore argues that African peoples do not need to “essentialize” their cultures. This is because the “truths about reality” with which they intend to employ in this quest for development are not exclusive to any particular cultural society. The implication of the foregoing is the paper’s insistence that Africans adopt a complementarist attitude in their determination for cultural fidelity. It maintains that this attitude will make Africans avail themselves of ideas from elsewhere. Ultimately, the paper posits that this new disposition of Africans to their cultures and those of non-African societies will set her beleaguered states on a solid developmental trajectory.
206. Dialogue and Universalism: Volume > 29 > Issue: 3
William H. Harwood

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This paper offers a sketch of the complicated conflicts which arise—and metastasize seemingly daily—in the era of Big Data. Given the public’s ubiquitous-yet-ostensibly-voluntary data surrender, and industry’s ubiquitous-yet-ostensibly-anodyne collection of the same, inaction is not an option for any near-just society. By revisiting the philosophical basis for Panoptic apparatus (via Bentham and Foucault), sketching the tumultuous history of US contract law trying to protect the public from itself (from Lochner to Carpenter), and comparing existing industry codes for similarly-situated—read: terrifyingly invasive—fields (e.g., physicians, therapists, attorneys, accountants), the paper will provide a preliminary framework for identifying and confronting the galaxy of problems associated with data analytics.
207. Dialogue and Universalism: Volume > 29 > Issue: 3
Laura Dev

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The term “Anthropocene” is frequently used to refer to the present planetary epoch, characterized by a geological signature of human activities, which have led to global ecological crises. This paper probes at what it means to be human on earth now, using healing as a concept to orient humanity in relation to other species, and particularly medicinal plants. Donna Haraway’s concept of the “Chthulucene” is used as an alternate lens to the Anthropocene, which highlights the inextricable linkages between humans and other-than-human species. Healing can be viewed as a type of embodied orientation or engagement with the world, which has the potential to reach across boundaries of the skin, blur distinctions between self and other, and allow for both transpersonal and trans-species reconciliation. I focus my attention on Indigenous Shipibo healing rituals, and Shipibo concepts of healing that integrate humans within the ecosystem, and traverse species boundaries through communication with and embodiment of plant spirits. These healing rituals offer ways of coming into being within an ecology of selves—both internal and external, human and non-human—through listening and lending voice. I explore the potential for healing and ritual to work as a form of porous resistance through the internal blurring of binaries and hierarchical structures.
208. Dialogue and Universalism: Volume > 29 > Issue: 3
Renat Apkin, Emily Tajsin

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There is a strong interconnection between the social and environmental spheres. The efforts of monitoring and forecasting of disastrous events can illustrate benefits and threats of technicization and science. In ecophilosophy the forecasting of hazards is today extremely needed. It is not about creating theoretical unified structures or practical return to holistic harmony of a primordial man with nature. It is about, as Félix Guattari once held it, the complexity of the relationship between humans and their natural environment. Though the desired maintenance of the conflict between industrial society and natural systems now seems impossible, we still can start moving towards it: theoretically, by developing eco-philosophical ideas, and practically, monitoring and forecasting catastrophes and disasters, to protect human life and health and, as eco-philosophers would say, keep land usable for human purposes. The topic of the earthquakes forecast today is more in demand than ever.
209. Dialogue and Universalism: Volume > 29 > Issue: 3
Jialing Zhao

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With the swift development of technology, the distance among people’s hearts surprisingly becomes further and further. Residents living in the congested cities feel more lonely than those who inhabit countryside. The mass media makes them consider ever ything at hand stereotyped. They parrot their designated work again and again, without passion or enthusiasm. Hence facing these social predicaments and interior struggle, Robert M. Pirsig embarks on a trip to cross America by motorcycle, in order to gain spiritual epiphany and freedom. Therefore, he finds quality is the panacea that may solve the present problems. Quality has a long history, which is closely analogous to Plato’s goodness. Quality is one, just as the supreme spirit in the Buddhist Upanishad whose universe and ego are identical. However, modern technology lacks of oneness, so that each time touching it, people only feel cruel and ugly since both the creator and the owner do not have the sense of identity for their innovative or possessive things. The injection of quality into technology may break through the difficulties resulting from the traditional method of dichotomy for the reason that quality spurs technology to melt nature and human’s soul, creating something that exceeds the two. This thesis aims to probe the meaning of quality and the account of modern crisis caused by the absence of quality. The last part points out how to reconcile the conflict between human’s value and technological needs, so as to achieve the ultimate goal that enhances people’s happiness.

210. Dialogue and Universalism: Volume > 29 > Issue: 2
Małgorzata Czarnocka

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211. Dialogue and Universalism: Volume > 29 > Issue: 2
Maria Elena Ramos

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The inclusion of ethics and politics into artistic creation process is for many contemporary creators/artists an essential motivation while they consciously act in an aesthetic space polluted with the realities of a world in crisis. Art, which produces visible and sensible forms, can reveal aesthetic ideas and fundaments through aesthetic objects: drawing, video-installing or poem/poetry. And artists can make someone feel with their creations—whether these are beautiful, sublime, tragic, or ironic—ethical contentions violated by human action or the exertion/exercise of political power. Works of art that are not only guided by the categories signed by beauty, because in artistic languages, violence and suffering also make/create form. And times of crisis are the ideal sphere/dimension for an art that gives a vivid way of seeing/watching the uncertainty, the perversion, the terrible. In bringing these philosophical—ethical, aesthetic and political—topics, I do it from an approach that departs form artistic creations and curatorial research. I try to penetrate the narrow thread between an ethical topic and the plastic form in which it incarnates/embodies itself, or between a political action and the aesthetic structure of language as a creative, expressive consequence.

212. Dialogue and Universalism: Volume > 29 > Issue: 2
Antanas Andrijauskas

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This article considers the principles of philosophical thinking in Søren Kierkegaard’s nonclassical aesthetics. Special attention is given to his radical critique of “false” and “impersonal” rationalism. This does not only mean the rejection of the traditional principles of classical metaphysics which claims “universality” and “universal meaning.” Kierkegaard also bases his philosophy on individual human life, or, in other words, personal existence with its unique inner world. His critique is more profound than that by Arthur Schopenhauer. Kierkegaard develops his own philosophy of “existential crisis,” opposing subjective will and internal changes to abstract thinking and external influences. Kierkegaard’s works initiate the critical or nonclassical stage in Western aesthetics. The main place in it is occupied by the idea of the disharmony of the world: its subjective reflection is “split” consciousness that has lost contact with the traditional concepts of harmony, humanism, goodness, beauty and philosophy of art.

213. Dialogue and Universalism: Volume > 29 > Issue: 2
Daniela Camozzi

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Creative collective actions can have the potential of true performative utterances opening windows of opportunities for new realities to emerge, for new possible worlds to be created—the realm of the arts is the realm of the “possible.” Group poetry writing can be a performative, dialogic act, and a transformative, revolutionary one as well. Collective artistic creations can break the isolation that the capitalistic patriarchal system imposes on us, helping us connect with one another, giving us hope.

214. Dialogue and Universalism: Volume > 29 > Issue: 2
Robert Elliott Allinson

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The purpose of this article is to synthesize four major elements of aesthetic experience that have previously appeared isolated whenever an attempt at conceptualization is made. These four elements are: Immanuel Kant’s disinterested pleasure, Robin G. Collingwood’s emotional expressionism, the present writer’s redemptive emotional experience, and, lastly, Plato’s concept of Beauty. By taking these four abstracted elements as the bedrock for genuine aesthetic experience, this article aims to clarify the proper role of art as distinct from philosophy and intellectualization. Rather than a medium conducive to intellectual understanding, it is argued that the sphere these four elements of aesthetic experience demarcate is one in which art leads to an emotional understanding that transforms the human condition and it imbues it with new meaning only to be found in a moment of aesthetic experience.

215. Dialogue and Universalism: Volume > 29 > Issue: 2
C. E. Emmer

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Benoit B. Mandelbrot, when discussing the global appeal of fractal patterns and designs, draws upon examples from across numerous world cultures. What may be missed in Mandelbrot's presentation is Immanuel Kant’s precedence in recognizing this sort of widespread beauty in art and nature, fractals avant la lettre. More importantly, the idea of the fractal may itself assist the aesthetic attitude which Kantian beauty requires. In addition, from a Kantian perspective, fractal patterns may offer a source for a sense of community with humanity. I close with an excursus on the more sombre note of Kantian sublimity which fractals can also present.

216. Dialogue and Universalism: Volume > 29 > Issue: 2
Lorena Rojas Parma

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Love has always liked, as we can observe since the same lyrical beginnings, to show itself, proclaim itself, as if something vital was played in that revelation that, in a certain sense, does not stop being strange because we are talking about deep experiences of each one’s soul. Now, that showing, which has found a place of privilege, must be thought under the digital cloak that dresses Eros, and think about it, then, as digital Eros. From Plato, Eros is a desire for the beautiful, Eros loves the beautiful. Therefore, the showing itself beautiful of love, requires a reflection in relation with how we show ourselves beautiful, that is, how the possibilities of networks allow us to make, sculpt, elaborate for that purpose. Finally, this implies a revision of the fictitious and the authentic of us, what the networks allow of us.

religion

217. Dialogue and Universalism: Volume > 29 > Issue: 2
Michael H. Mitias

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Some philosophers and theologians have argued that God-centeredness cannot be a condition of inter-religious dialogue for at least four reasons. First, it is an existential fact that all religions tend to view the truth of their beliefs and values as absolute. Second, all religions are embedded in radically different cultural contexts; this kind of difference undercuts the possibility of inter-religious dialogue. Third, grounding all the religions in a transcendent reality relativizes their beliefs and values. Moreover, people worship “their” God, not a neutral reality. Fourth, it is difficult to ground all the religions in a transcendent, neutral realty. This paper critically evaluates these arguments and defends the proposition that the mystical experience provides a justifiable basis for the claim that the transcendent is not only a wealth of being but also an infinite wealth of being and that the same transcendent is “revealed” in the mystical experience which underlies all the major religions. The transcendent is the common ground on which all the religions stand in inter-religious dialogue qua religions.
218. Dialogue and Universalism: Volume > 29 > Issue: 2
Evgeniy Bubnov

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The article attempts to analyze unconscious cognitive empathy in Sam Harris’ discourse. Harris equates the theology of Abrahamic religions with ancient mythology. However, the expulsion of the Numinous into the sphere of the transcendent, made possible by monotheism, gave impetus to the study of nature and led to what Max Weber called the Disenchantment. This Disenchantment, firstly, led to the discrediting of ancient myths, and secondly, to the scientism of Harris and his like-minded people.

cognition

219. Dialogue and Universalism: Volume > 29 > Issue: 2
Sheldon Richmond

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The monopolization of our techno-scientific culture by digital information technology, the Technopoly has unintentionally resulted in the extinction of knowledge or postknowledge, by reducing knowledge to systems of symbols—formalized algorithmic hierarchies of symbol-systems without external reference; a totalistic virtuality, or real virtuality. The extinction of knowledge or post-knowledge has resulted in two mutually reinforcing situations. One situation is the rise of a new elite of technology experts. The other situation is the dummification of people. These two mutually reinforcing situations further result in an illegitimate role reversal between people and their machines. The machines become treated as smart; people become treated as dummies. The role reversal of machines and people reinforces the monopoly of digital technology over everything. The monopoly of digital techno-scientific culture, the Technopoly, becomes accepted without question and without criticism. However, there is a way to retrieve knowledge, and that way is through restoring the (Ionian) tradition of critical discussion within all our institutions. Critical discussion can be restored by increasing democratic participation in our techno-scientific culture, which amounts to implementing a Socratic social architecture.
220. Dialogue and Universalism: Volume > 29 > Issue: 2
Carlos Schoof Orcid-ID

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In this essay I expose two historical examples of the ambivalence of the place of philosophical knowledge in society. The symptomatic starting point is Aristotle’s characterization of the philosopher. Then, through the specification of Descartes’s views on philosophy, culture, the human and the artificial, I will show that there exists certain tension between the development of philosophy as a free knowledge available to everyone and philosophy as a specialized knowledge only suitable for initiates. Nowadays, when philosophy is in a critical situation maybe because of that ambivalence, the need arises to overcome this problem and democratize it.