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Film and Philosophy
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81.
Film and Philosophy:
Volume
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20
Frank Boardman
An Argument (Many) Films Make
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82.
Film and Philosophy:
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20
James Conlon
The Goodness Of The ‘Holy Fool’ In Talk To Her (Hable con ella)
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83.
Film and Philosophy:
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20
Laura T. Di Summa-Knoop
“It is Like It is Always Right Now”:
Richard Linklater’s Boyhood and the Fiction-Nonfiction Divide
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84.
Film and Philosophy:
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20
Joseph Kupfer
Care, Autonomy and Art:
Frida and Camille Claudel
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85.
Film and Philosophy:
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20
Jack Simmons, Leigh E. Rich
Hannibal and the Horrors of Hyper-Rationality
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86.
Film and Philosophy:
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20
Roy W. Perrett
Waltz with Bashir and the Definition of Documentary
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87.
Film and Philosophy:
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20
Dan Shaw
Animated Thought:
Inside Out and Philosophy of the Emotions
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88.
Film and Philosophy:
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19
Dan Shaw
Editor’s Introduction
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89.
Film and Philosophy:
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19
Thomas Wartenberg
The Imposition Objection Reconsidered:
A Response to Richard Nunan
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90.
Film and Philosophy:
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19
William Pamerleau
Does the Philosophy of Film Disenfranchise the Art of Film?
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91.
Film and Philosophy:
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19
Shawn Loht
The Relevance of Heidegger’s Conception of Philosophy to the Film-as-Philosophy Debate
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92.
Film and Philosophy:
Volume
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19
Lindsey Fiorelli
A New Defense of Cinematic Realism
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93.
Film and Philosophy:
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19
Dan Flory
Imaginative Resistance, Racialized Disgust, and 12 Years A Slave
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94.
Film and Philosophy:
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19
Sander Lee
Blue Jasmine, A Streetcar Named Desire, and the Power of Self-Deception
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95.
Film and Philosophy:
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19
Laura T. Di Summa-Knoop
The Philosophical and Cognitive Achievement of Cult and the Ethical Puzzle of Casablanca
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96.
Film and Philosophy:
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19
Bert Olivier
Battlestar Galactica, Technological Development and Eternal Recurrence
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97.
Film and Philosophy:
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19
Jeremy Delong
Star Trek: Into Darkness—Ethical Impartiality, Partiality, and the Need for a Male/Female Synthesis
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98.
Film and Philosophy:
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19
Christopher Grau
Kantian Themes in The Elephant Man
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99.
Film and Philosophy:
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19
Matthew Meyer
Mystic River and Nietzsche’s Revaluation
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100.
Film and Philosophy:
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18
Dan Shaw
Editor’s Introduction
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